近年来他让我刮目相看，除了自身的工作外，他投入了很大的精力，致力于长城的拍摄。其技艺精湛、意境深邃、并具独特风格的长城摄影作品让众人赞叹不已。解海龙：摄影家，中国摄影家协会副秘书长他的长城不再表现如血残阳下的壮美，逶迤山脊上的巍峨，皑皑白雪中的旷远，而是集中表现长城在自然环境里的朴野和无奈，在天地之间的孤独和苍凉。这是他心中的长城、梦里的长城。如果把长城当作历史文化遗产，那它是中华民族精神的象征，是中国人伟大创造力的体现；但是如果把长城看作我们祖先的艺术作品，谁能说对长城只能有一种看法呢？杨越峦拍摄的长城不是令人喜的，而是令人思的；不是令人赞的，而是让人省的。李树峰：中国艺术研究院摄影艺术研究所所长 I began to hold a different opinion on Yuelan in recent years. Apart from his work，he has devoted a lot of time and energy to photographing the Great Wall. These skillfully taken，meaning-loaded，unique photos of the Great Wall have won much praise from people.Xie Hailong，Photographer，Former Vice Secretary-general of Chinese Photographers SocietyYang Yueluan’s Great Wall no longer represents the masculine beauty radiated by sunset，nor the meandering loftiness from mountain ridge，nor the width and boundlessness in a white snow，but focuses on the crudeness of the Great Wall itself，its simplicity and silence in nature，its solitude and bleakness in between heaven and earth. This is the Great Wall existing in his dream and in his heart. If we take the Great Wall as a historical and cultural icon，we agree that it is a symbol of Chinese national spirit，a representation of Chinese powerful creativity. But if we regard it as a masterpiece of fine art passed on by our ancestors，we would accept and encourage different representations of it. The Great Wall produced by Yang Yueluan is therefore unique for it does not intend to present itself as delightful and praiseworthy but to represent itself as something worthy of thought and reflection.Li Shufeng，Director of Photographic Art Institute，Chinese National Academy of Arts
